This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
";s:4:"text";s:6279:" Context. Athena grabs Alkyoneos by the hair and drags him up the stair to worship Zeus, and her victory is indicated by the Nike on right. 63 terms. Protection for the altar of zeus. 31 terms. This work takes on the same significance as the earlier rendering on the Parthenon.Athena battling Alkyoneos from the Altar of Zeus-Why is this work significant?The emotional intensity of the facial expression of the defeated giant Alkyoneos and the striding figure of the triumphant Athena all indicate power. Athena Battling Alkyoneos . Some images used in this set are licensed under the Creative Commons through The first truly monumental stone statues of the Greeks followed the ______________canon.The Persians sacked the Athenian Acropolis in _____________.The pronounced swelling at the middle of the column shaft is called__________________.The acknowledged master of the black figure technique was__________________.________________was interested in showing human anatomy convincingly but also showing the figure occupying space.Diskobolos (Discus Thrower) was created by ___________________.In 454 BCE the ______was transferred to Athens ostensibly for security reasons.Kresilas was the sculptor of the portrait bust of__________.Plutarch claimed that_____________was in charge of the entire Periclean acropolis project.Mnesikles was the architect of note for the _________________the monumental entrance to the Acropolis.Another Ionic on the Athenian Acropolis is the ____________________designed by Kallikrates.The leading painter of the first half of the fifth century BCE was_____________________.______________was one of the leading sculptors of the fourth century BCE.the earliest instance of a/an ____________in the exterior of a Greek building is the Choragic Monument of LysikratesThe Altar of Zeus Pergamon presents in mythological disguise the victory of Attalos I over the ___________________.Athanadoros, Hagesandros, and Poldoros are thought to be the three Rhodian sculptors who created the __________________.Statues of the aged and the ugly can be found in the __________period.The redefinition of portraiture was one of the great achievements of ________________ artists._____________________, Skopas and Lysippos made bold steps in humanizing the gods of Greek statuary in the fourth century BCE.It has become the culmination of the ideal solution to perfect proportions in Doric temple design. 100-50 BCE, bronze. Nike of Samothrace. Start studying Topic 6- Ancient Greece. n_harrod. YOU MIGHT ALSO LIKE... 28 terms. YOU MIGHT ALSO LIKE... Art History Exam 1 Images 28 Terms. The intense emotional quality of the Gaul committing suicide rather than accepting defeat at the hands of the Pergamenes, the gestures and exactitude of presentation all reflect Pergamene Hellenistic art forms. The capitals with their straight sided conical echinuses become the ultimate refinements for the bulging and squat Doric columns and compressed capitals of earlier Doric templesThe sculptor has made a conscious effort to humanize the goddess. He shipped them to England where he sold them at great personal financial loss to the British government. 1353-1335 BCE, painted limestoneAmarna Period-New Kingdom Egypt, ca. Cave Paintings to Cathedrals Exam 1 UNL. No longer were the young and the beautiful dominating the visual vocabulary now artists were depicting a broader range of physical types.Old Market Woman-How does this work reflect the Hellenistic style?The realistic focus is apparent in this work; the great age and obvious poverty of the old woman are stressed.Old Market Woman-Why is this sculpture significant?Humanity was what mattered. Miniature Ships Fresco. detail from the Altar of Zeus (Pergamon Altar), Hellenistic, ca. Hellenistic, ca. Kouros. 350-340 BCE, Roman marble copy of an originalLate Classical, ca. 175 BCE. Athena battling Alkyoneos (5-79) Detail of the gigantomachy frieze Altar of zeus Pergamon, Turkey 175 BCE Marble, 7'6" high Staatliche Museen Zu Berlin, Berlin This image is an emotional power in earlier greek art There is violent movement, swirling draperies, and vivid depictions of suffering fill the frieze Athena is grabbing the hair of a giant Wounded figures are in the shadows. Art History Exam 1 Images. Function. .How does this work conform to the period Parthenon ?Its originality lies in the spacing and slender shafts of the columns. according to the philosopher Protagoras. detail from the Altar of Zeus (Pergamon Altar), Hellenistic, ca. 1650 BCE, fresco She is neither erotic nor licentious however he has imbued her with a sensuality that is unique and uncommon.Aphrodite of Knidos How does this work reflect the period?A detail from the Altar of Zeus; Pergamon showing a triumphant Athena battling Alkyoneos.Athena battling Alkyoneos from the Altar of Zeus-Who is this?It becomes an allusion to the successful campaign of Attalos I in defeating the invasion of the Gauls in Asia Minor. Start studying Content Area 2. 600 BCE, marble. Athena battling Alkyoneos from the Altar of Zeus-What is the medium? rileyzelienka. marble, battle, frieze is coming into viewer's space. Learn vocabulary, terms, and more with flashcards, games, and other study tools. from West House, Akrotiri, Minoan, ca. 1353-1335 BCE, limestoneAmarna Period-New Kingdom Egypt, ca. Math. 521- 465 BCE, limestoneKarnak, Egypt, New Kingdom Egypt, begun 15th century BCENew Kingdom Egypt, ca. Seated boxer, Hellenistic, ca. depicts Alkyoneos son of ge, taken away by athena with ge watching. 450-440 BCE, marble after a bronze originalIKTINOS and KALLIKRATES, Acropolis, Athens, Greece, High Classical, 447-438 BCEPanathenaic Festival procession frieze, from the ParthenonLate Classical, ca. Athena battling Alkyoneos.
175 BCE. Hellenistic Sculpture, 230 - 220 B.C, blood oozing from his wound, shows defeat of the Gauls, seen as a hero by the Greeks, which in turn glorifies their conquest, negative space.